The Hind and The Panther: A Poem in Three Parts | John Dryden

Hello and welcome to the Discourse. The Hind and the Panther was the second religious poem that John Dryden wrote. It was published in 1687 three years after his first religious poem, titled Religio Laici. The poem contains some 2600 lines set in heroic couplets. The subtitle of the poem is ‘A Poem in Three Parts’ which suggests that the poem has been written in three parts. In Religio Laici, Dryden defended the Anglican Church and criticized the catholic ways. However, he changed and converted to Catholicism within three years and in this poem, he actually defends Catholicism and suggests why he decided to convert. Because of this, it is considered the most controversial poem of the Restoration Era. He converted to Catholicism just after the accession of the Roman Catholic King James II in 1685. While most of the Protestant writers and thinkers of that time believed that John Dryden converted to Catholicism because of its political gains, Dryden wrote this poem which provides certain evidence that suggests that Dryden’s conversion was genuine. In this poem, Dryden calls for the alignment of Anglicans and Catholics against Nonconformists. However, King James II directly appealed to the Nonconformists as allies against the Church of England. Furthermore, unlike Religio Laici, in which Dryden criticized Catholic ways, he doesn’t criticize the Church of England in The Hind and The Panther.

Summary:

As the poem's subtitle suggests, this poem is divided into three parts. Each part tells a distinct topic and point of view. It is an allegory. In the poem's first part, the poet discusses and describes the various religious denominations in England. In this part, he depicts Catholicism as a hind, or a female deer, representing purity, innocence, and piety. He further describes the Anglican Church of England as a strong panther. The poet also talks about other religious groups including Independents, Freethinkers, Presbyterians, Quackers, Socinians, and Anabaptists. According to the poet, the Independents are like a bear. He depicts Presbyterians as a wolf, Quackers as a hare, and Socinians as a Fox. The poet says that the Anabaptists are like boars while Freethinkers and atheists are like an ape.

After describing all these religious denominations, the poet touches on the main topic of the poem and suggests why he chose to convert from Protestantism to Catholicism, arguing that the hind is purer than the panther. The first part ends when the hind and the panther meet.

In the second part, the hind and panther take a stroll while discussing various topics that appear to be controversial. This dialogue between the Hind and the Panther as they stroll together deals with the controversial topics of church authority and transubstantiation.

In the third part, the poet offers his political viewpoint on what should be done for the benefit of England as a nation. According to the poet, the Crown and the Anglican and Catholic Churches should form a united front against the Nonconformists and the Whigs.

Critical Analysis:

While this is a religious poem, it offers a logical amalgamation of religion and politics. The poet cleverly offers his position and choices in a way to avoid unnecessary arguments between the Catholics and the Protestants. The poet is against the religious zealots of any core and calls for the reconciliation of the Church of England and the Roman Catholic Church and advocates the union of Anglicans, loyalists, and Catholics against the Nonconformists and the Whigs who, according to him are religious zealots and fanatics. This poem was an attempt at reconciliation and peace. Dryden describes distinct religious denominations as animals, suggesting that people form groups because of their animal instincts. They desire separation and distinction as a demonstration of superiority or even survival. He offers relationships and comparisons between these groups as predator and prey, social and solitary, intelligent and naive. In the end, the poet sheds light on the necessity of Unity of Catholic and Anglican churches against Nonconformists. He mentions the then trend of using political threats to convert people by describing the Anglican church as the fearsome panther.

He despises this practice and calls for more unity, with Jesus Christ as the ultimate authority over the Church, rather than a given human leader. Throughout the text, Dryden warns against the corruption of religion for political aims. He calls upon the various sects to unite to firmly oppose the radicalism of the Nonconformists.

Canadian feminist literary critic Margaret Doody appreciated this poem by Dryden and commented, "the great, the undeniable, sui generis poem of the Restoration era…It is its own kind of poem, it cannot be repeated (and no one has repeated it)." However, the poem continued to gain negative criticism right since its publication.
Mathew Prior and Charles Montagu wrote a hostile pamphlet parody of Dryden's The Hind and The Panther which was titled The Hind and the Panther Transvers'd to the Story of the Country Mouse and the City Mouse. Dryden faced many such ridicules and satires for this poem and his conversion from Anglican Church to Catholicism. However, Catholic King James II’s reign wasn’t too long and his ill effects faded, this poem was observed positively in a new light. Alexander Pope and Samuel Jonson both appreciated Dryden’s The Hind and The Panther. William Hazlitt and Lord Macauley also praised this poem. Gorge Saintsbury also had a positive review of this poem who said that The Hind and the Panther is "the greatest poem ever written in the teeth of its subject".

So this is it for today. We will continue to discuss the history of English Literature. Please stay connected with the Discourse. Thanks and Regards.

The Glass Menagerie by Tennessee Williams | Characters, Summary, Analysis

Hello and welcome to the Discourse. Tennessee Williams was an American playwright and screenplay writer who also wrote short stories, poems, essays, and a volume of memoirs. He was a contemporary of Eugene O’Neil and Arthur Miller and gained fame as one of the three most important playwrights of 20th-century American Drama. Tennessee Williams was his pen name while his original name was Thomas Lannier Williams III. He was born on March 26, 1911, in Columbia, Mississippi and he died on February 25, 1983. He was deeply influenced by famous American poet Hart Crane as much as he mentioned in his will before his death that he wanted himself to be buried at sea nearby the area where Hart Crane committed suicide.

He was very close to his elder sister Rose Isabel Williams who was diagnosed with schizophrenia as a young woman. In 1943, she was hospitalized and remained in the hospital throughout her life. Tennesse was very close to her and continued to take good care of her health and medication till the end of his life.

The Glass Menagerie was one of the most successful plays by Tennessee Williams that premiered in 1944. It is a memory play in which the scenes are presented through the memory of one of the characters. It is a play in which Tennessee Williams expressed his own childhood difficulties that he faced because of his turbulent father and devoted mother.

Characters:

Amanda Wingfield is a troubled mother, abandoned by her husband. She is trying to raise her two kids with utmost devotion. However, she also yearns for the comforts of her youth. The contradiction between her desires and her devotion makes her feel that she almost hates her children. Tom Wingfield is her elder son who works at a shoe warehouse to support his family. However, he doesn’t like his job and yearns to study more and become a poet. through the memory of one of the characters. Like his mother, he is also very devoted to his family, however, he finds it burdensome. Laura Wingfield is his younger sister who suffered a childhood illness that left her with a limp. She is depressed with an inferiority complex that causes mental fragility to her. Jim O’Connor was a schoolmate of Tom and Laura during childhood. He was a brilliant student who excelled in athletics and acting. However, his familial situation forced him to suffer failure and now he works as a clerk in the same shoe warehouse where Tom works.

Summary:

Tom Wingfield is a major character and the narrator of the play and the scenes are presented as the memories of Tom during a crucial time in his life. The narrator tries to bring up some realities of his life in front of the readers through the development of scenes. Tom appears on the stage and as he remembers the older times, the play begins. The play is set in 1937. Amanda Wingfield who belonged to a genteel Southern family and who spent most of her childhood in abundance is suffering financial turmoil as her husband has left her while she has to take care of her two children. Laura is her daughter who is limp and she wears a brace on her left leg. Tom is Laura’s brother who works at a shoe warehouse to help his family. Their father left them years ago and except for one postcard, the family has never heard from him since then. Laura suffers from depression and an inferiority complex because of her physical condition. Tom cares for her sister and wants to help her. He aspired to be a poet and writer. However, the financial conditions of his family force him to devote all his time to the shoe warehouse. He often remains tired and irritated. Amanda is trying to get a suitable genteel caller for Laura who could marry her. However, Laura fails to attract any genteel caller (suitor) because of her physical condition and shyness. Amanda enrolls in a business college hoping that she will make her career and bring prosperity to the family. However, Amanda comes to know that her shyness and inferiority complex has failed her at college too as she drops out of the class and kills her time wandering around the city alone. Amanda then decides that Laura’s last hope is to get married. She starts working extra time and sells magazine subscriptions to gain more money that she believes will help Laura get a suitable groom. Tom on the other hand continues to struggle as he doesn’t like his job at the shoe warehouse. He desired to be a creative writer but finds himself trapped in the banality and boredom of everyday life. He gets some relief from alcohol, movies, and literature. He spends most of his night hours in movie theaters. Laura spends most of her time in polishing and arranging her collection of little glass animals. Amanda often tells Laura and Tom about her younger days and how once she got seventeen genteel callers for her during a single day. She pressurizes Tom to help her in getting a proper suitor for Laura to get her married. When Amanda confronts Tom about him wasting time and money on movies, they often get into arguments. During one such argument, Tom accidentally breaks several of the glass animal figurines that are Laura’s most prized possessions.

Amanda pressurizes Tom to keep an eye on a suitable genteel caller for Laura at the warehouse. Tom decides on a fellowman, Jim O’Connor, at dinner. Jim used to be a schoolmate of Tom and Laura. He used to be a good athlete and actor. However, his own family problems forced him to work as a clerk at the same shoe warehouse. Yet, he is confident enough to improve his career and prosper. When Amanda learns that he is a driven young man with his mind set on career advancement she gets very happy and spruces up the apartment. She prepares an elaborate dinner and insists that Laura wear a new dress. When Laura comes to know that Jim O’Connor is visiting her, she gets depressed as she knows him since the schooldays when she used to have a strong crush on Jim. She again suffers a spell of inferiority complex and finds herself ill. When Jim O’Connor arrives at their home for dinner, Laura answers the door, on Amanda’s orders, and then quickly disappears, leaving Tom and Jim alone. However, later, Laura joins the dinner and after dinner, Laura and Jim are left alone by candlelight in the living room as they wait for the electricity to be restored. Tom had revealed to Jim that he hadn’t paid the electricity bill as he is planning to leave the job and go away for some adventurous life and he will need money for that.

As Laura and Jim are left alone, they converse with each other and soon Jim realizes that Laura is suffering inferiority complex. He encourages her and tells her to think better of herself. They share a quiet dance during which, Jim accidentally disturbs Laura’s glass menagerie knocking a glass unicorn to the ground and breaking off his horn. Laura takes the accident nicely and Jim compliments Laura and kisses her. Then he tells her that he is already engaged and will soon get married. Laura then offers the broken horn as a gift to Jim and then he leaves. When Amanda comes to know that Jim is already engaged, she feels heartbroken and furiously chides Tom. Tom on the other hand is surprised as he didn’t know anything about Jim’s engagement. He realizes that maybe Jim made up this story of engagement as he felt that the family was trying to set him up with Laura, and he had no romantic interest in her. The play ends as Tom says that he left home soon afterward and never returned. He then bids farewell to his mother and sister and asks Laura to blow out the candles.

The characters and story of this play resemble Tennessee Williams’ own life. Williams clearly resembles Tom while Laura, whose nickname in the play is Blue Roses resembles Tennessee’s elder sister Rose while his mother inspires Amanda.

So this is for today. We will continue to discuss the history of American literature. Please stay connected with the Discourse. Thanks and Regards.

Religio Laici by John Dryden | Summary and Analysis

Hello and welcome to the Discourse. John Dryden was the first official poet laureate of England and he was a loyal Tory supporter of the crown. He was active at a time when England was facing religious and political turmoil. The power struggle between Catholics and Protestants was incessantly increasing. King Charles II wished his brother James, Duke of York to succeed him but the strong Protestant fraction was totally against it as James II was a Catholic. John Dryden was a Protestant but he was a supporter of King Charles II. During the same time, the Catholic faction of Britain was also gaining strength. In 1682, ‘Histoire critique due Vieux testament’ by French cleric Father Richard Simon was translated and published in English. This book was a detailed criticism of the textual history of the Bible and argued that, given the compromised nature of much of the Bible, Christians would do better to base their faith on the history and traditions of the Roman Catholic Church. The book was meant to undermine the Protestant faction that considered the authority of the Bible over the traditions and rituals of the Catholic Church.

As a response, Dryden wrote Religio Laici; or, A Layman’s Faith which was essentially a literary defense of the Protestant Anglican Church against arguments made by Deists, Catholics, and Dissenting factions against the throne of England. While John Dryden offers strong support to the Anglican Church in Religio Laici, he converted to Catholicism three years after writing this poem. The poem contains 456 lines composed in 23 uneven stanzas. It is a narrative poem written in epic form.

Summary:

Dryden first offers a prose description (a Preamble) of why he is writing this poem. He says that his writing is supported by both officially sanctified concepts of the Church of England and has been approved by a knowledgeable scholar. However, he acknowledges that he has not followed all the notes offered by that scholar as that would have compromised his own personality.

He then discusses his ideas of faith. He discusses the history of Christianity which according to him reveals that the concept of the chosen people is used in so many contexts that it has become invalid as if in God's plan the devil always had a first choice with which he disagrees. Dryden suggests that the one true religion was given to Noah and that each subsection that came after slowly degraded the holy rite, and hence, could not be near the one true faith. He talks about science and the laws of nature and how they all fit into the scheme, even though certain religious and philosophical figures discourage them. He concludes this section by stating that the word of God, as found in the Holy Scripture is the only anchor a human needs.

Dryden then discusses the philosophy of Athanasius, a Bishop of ancient Constantinople famous for his pursuit against heretics within the old Catholic faith. He expresses his disagreement with Athanasius and says that the words of the apostles are the only source of wisdom as these are easy to understand. He concludes his analysis of History and suggests that it is better to have a worldview simply based on the Holy Scriptures and let the unknown be unknown. However, he says that this makes him an enemy of both the Papacy and the religious fanatics (Puritans). He further says that none of these groups troubles his mind because while the fanatics are entrenched in their own battles and the Catholics have no dominion over England, nor they can ever get.

He then shows some favors for the ‘Good Catholics,’ those who consider the English crown as their sovereign and are loyal to it. He asks them to culminate all their loyalties towards Rome. He then criticizes the religious fanatics of the Anglican church and their crimes against civility and humanity. At the end of this introduction to his poem, Dryden suggests that this poem should be taken as an instruction, he believes that a learned person can be led to the truth by means of reason.

The first stanza of the poem stresses the primacy of reason over a man’s life. Dryden says that reason has led men on the right path and has the opportunity to do this for others as well. In the second stanza, Dryden counters the viewpoint of deists who say that they are chosen with the truth and history and provenance suggests to humankind that only good deeds lead to salvation. In the third stanza, Dryden attacks those who try to explain the way of God. He says that the people who try to decipher the will of God are like those philosophers of ancient Greece who didn’t believe in God and tried to rationalize the concept of God. Dryden says that truth and reason are implanted into humankind by the true God and God encompasses all that is. In the fourth stanza, he questions the reader if he can breach this law and do whatever he wants? In the next stanza, Dryden mentions Christ who took birth to take humankind’s sin over him. He again attacks those who believe they know God’s will. The sixth stanza warns people to only listen to the scripture as truth can only be found in it, followed by a plea that rites, tradition, and philosophy do not contain the truth, but only the word of God can give us this.

In the tenth stanza, Dryden counters those who argue that the truth can only be the truth if it is known by everyone. Since Bible remained unknown in the recently discovered Americas during that time, they say Bible cannot be true. Dryden asserts that Providence always finds a way, exemplified in the journey of the Gentiles, who were not forced by any given law. He also contests the notion that good people who did not know the true word would suffer in eternity, as this goes against the basics of the written word. In the thirteenth stanza, Dryden acknowledges the problem of mistranslation and misinterpretation of the holy words of the Bible. In the fourteenth stanza, Dryden mentions the issue of Apocrypha, those religious texts that were kept out of the Bible by Catholic concepts. Dryden states that these holes in the knowledge are filled with ill-placed traditions and bad rites. In the 15^th and 16th stanzas, Dryden answers these issues and says that a true, fully realized, and bias-free version of the holy text can be found in the lost original. He further says that this doesn’t mean that all translations are wrong or bad. He mentions that Christ is still the lord and still a man. He then praises the Layman and encourages them to remain true to their heart. He says that Layman has the ability to see what is true and just among all the fancy translation errors in the scripture. The common man should keep these truths he finds to his heart and not let the fancy text bring him off the true path.

In the 19th stanza, Dryden offers a strong critique of Catholic belief and says that the Catholic faith believes to own the whole Christian faith when they only are a part of it. In the 20th stanza, he goes on to explain how Catholic history has corrupted this branch of Christianity. They're keeping the real wisdom, as mentioned before, from the common folk leading to a number of problems. People started to have their own interpretations and believed everything they heard. The good and common thread of love and compassion got lost. Dryden complains that this practice caused a thousand sects per day to rise.

In the last two stanzas, Dryden asserts the main message of the poem and says that the layman or the common man must only have the basic truths of Christianity to hold onto. Every addition given from the outside has to be rejected.

The poem deals with the tussle of true Christianity between the Catholics and Protestants. The poet explains the definition of true belief. The narrator leads the reader towards the explanation that true Christianity is only to be found in the pure interpretation of the original word of God, namely the Bible. Dryden also brings up the debate between believers and nonbelievers and rejects the argument that most people that have lived on this planet would be considered to burn in hell for all eternity because they do not believe in Catholic ways. He says that the Provenance of God's word is true in all times and places, transcending the Christian world and allowing all good people to arrive in heaven. He attacks religious eliticism. He complained against the argument that some religious rites are better than others. The poet says that all forms of worship are flawed to some extent and no one can know which one is the least flawed. That is why such elitist explanations about the one true way to worship God, as proclaimed by Catholics or other denominations are discarded by Dryden.

So this is it for today. We will continue to discuss the history of English literature. Please stay connected to the Discourse. Thanks and Regards.

Mac Flecknoe by John Dryden | Characters, Summary, Analysis

Hello and welcome to the Discourse. John Dryden and Thomas Shadwell were close friends with some political and artistic differences. While John Dryden was a fan of Shakespeare, Thomas Shadwell considered himself the heir of Ben Jonson. Dryden preferred comedy of wit and repartee. On the other hand, Shadwell preferred humor comedy. They also disagreed over the importance of rhymed plays. However, the main contention between the two was their political alignments. John Dryden belonged to the Tory group supporting the Stuart royalty while Shadwell, being a Protestant, supported the Whigs against the possibility of a Catholic monarch. In 1681, Dryden published Absalom and Achitophel. After the acquittal of the Earl of Shaftesbury, he published The Medal (1682). Both of these were a strong satirical attack on the Whigs' supporters. In addition, John Dryden also contributed to Nahum Tait’s Absalom and Achitophel Part II in which he indirectly satirized Thomas Shadwell as the character Og.

In response, Thomas Shadwell published The Medal of John Bayes; a Satire against Folly and Knavery (1682), another political satirical poem that directly attacked the Tories and Dryden’s political satire. As a response, John Dryden published Mac Flecknoe, which became the classic mock Heroic satirical poem. The subtitle and the subject of this poem is “the True-blue Protestant Poet T.S.” This poem carved out a new poetic genre known as mock-epic, or mock-heroic poetry. This poem is a strong hilarious criticism of Thomas Shadwell in which Dryden completely skewers Shadwell, exposing him for what he was: a bad writer with bad taste, who would do anything for the cheap laugh. John Dryden created an incredibly rich, expertly crafted work of satire, layered in so much irony, sarcasm, and wit that at many times, the poem appears to be a genuine epic. The poem has the same grandiose as that of The Illiad or Paradise Lost, however, it is just a satirical joke.

During the Restoration period, Shadwell was a reputed author and playwright, so much so that he replaced John Dryden as England's poet laureate in 1689. But Dryden believed Shadwell was a subpar poet and dramatist who believed much too highly of himself. Dryden uses Mac Flacknoe to point this out, highlighting throughout the satire the ridiculousness of Shadwell’s self-indulgence. Regarding the dueling poets’ thoughts on humor, the satire serves as a defense of wit against humor, which Dryden believed to be a much more noble and intelligent form of co“the True-blue Protestant Poet T.S.”

Characters:

Richard Flecknoe was a lesser-known English dramatist during the Milton age. Andrew Marvel derided and made a mockery of his works and John Milton also made a similar mockery of him in this poem. He is represented as the titular character Mac Flecknoe who is the monarch of the realm of Nonsense. He is getting older and decides he must appoint a successor to one of his sons. He chooses Shadwell because he is the most like him; he is dull and devoid of wit and sense. Thomas Shadwell is the main target of Dryden’s satire and derision and he is represented as T.S., or Sh--, or Shadwell. He is the heir of the fictional "Kingdom of Nonsense," which is presided over by Flecknoe. Shadwell is a large, proud man who revels in the bombast of his coronation. He has no sense, is dull, and runs roughshod over the work of other, better poets. Dryden has mentioned Shakespeare, Ben Jonson, John Fletcher, Thomas Dekker, Thomas Heywood, and James Shirley in this satire. Apart from them, Roman author Virgil, Roman king Augustus, Ancient Greek poet Arion, Troy’s leader Ascanius, British monarch Charles II, and Oliver Cromwell have also been mentioned in the poem. Sir Formal Trifle, Bruce, and Longvil are characters from Thomas Shadwell’s play Virtuoso. Dryden also mentions St. Andre, a French dancing master who choreographed Shadwell’s drama Psyche.

Summary of Mac Flecknoe:

The poem has 217 lines written in rhyming couplets in iambic pentameter. It starts with

All humane things are subject to decay,
And, when Fate summons, Monarchs must obey;

The poet then introduces Mac Flecknoe, the Protagonist of the poem. He is the poet-king of the realm of nonsense. Like the roman ruler Augustus, he was called to rule when he was young and like Augustus, he proved to be a successful ruler. But now, he is getting old and it is time for him to step down. He thinks over which of his sons should succeed him in the eternal war against wit. Ultimately, he chooses his son Shadwell, a poet of unparalleled dreadfulness, as his successor. Shadwell is the worst writer in all the land, and thus, the perfect man for the job. He is the one who resembles Mac Flecknoe most. Shadwell, who even while young in years is mature in the dullness. He is “confirm’d in full stupidity”, and while some of his brothers occasionally grasp the meaning, he never has any sense at all. Other people are illuminated by beams of wit, but Shadwell’s “genuine night admits no ray.” The monarch is very proud of his son and believes Shadwell is “the last great prophet of tautology” The poet then compares Shadwell with James Shirley and Thomas Heywood while admitting that Flecknoe himself is no comparison to his son Shadwell. As Shadwell approaches London (city Augusta in the poem) while sailing down the river Thames, Flecknoe feels as if a new Arion is sailing to claim his state. Mac Flecknoe weeps for the joy of his son, knowing that Shadwell’s plays persuade “that for anointed dullness he was made.

Near the walls of the city of Augusta, there is a pile of ruins that once used to be a mighty watch tower. Flecknoe rejects this place for the coronation of Shadwell. Rather, he chooses a place where a long time ago, Decker prophesied that a mighty prince shall rule this pile, a prince “born for a scourge of wit, and flail of sense” (line 89). The prince’s pen will create misers, humorists, and hypocrites, as well as whole families of Raymond and the tribes of Bruce.

The prince finally appears in all his majesty, sitting atop a throne of his labors. Flecknoe compares Shadwell to Ascanius, son of Aeneas, who famously sat at his father’s right hand and inherited the kingdom. Shadwell’s brows are like thick fogs, and dullness swirls about his visage.

Shadwell swears he will maintain dullness until his death. He will never make peace with wit and never sign a truce with sense.

Then the old monarch offers his son some words of advice. He says that Shadwell should always trust his dull nature and should not let any false friend seduce him by using Ben Jonson’s name and turning him towards wit. Flecknoe says that when Shadwell will fully embraces his nature, Sir Formal Trife’s oratory skills will become his. Flecknoe urges Shadwell that he should remember that he is Flecknoe’s blood and Jonson has no part in it. Flecknoe exhorts his son to remember that this is his place, his way; he gets to add new humor to his plays and indulge in the dullness. Shadwell may be a large, bulky man with a huge belly, but his plays never bite or offend. Even though his heart may have venom, it dies the moment it touches his Irish pen.

Shadwell’s genius does not lie in iambics but rather in simple anagrams. He should not, Flecknoe counsels, worry about plays; instead, he should focus on acrostics. In those, he can be famous and torture words in thousands of ways. If not those, then perhaps songs set to a lute.

The father continues to offer his advice to Shadwell as his words start fading away as Bruce and Longwil captures him in their trap and he sinks down and perishes. He leaves his robe on the ground which rises upward by flatulence, the mantle settles on the son who possesses a “double portion of his father’s art”

Mac Flecknoe is a typical personal satire that has for its target Thomas Shadwell, another poet who had offended Dryden with his aesthetic and political leanings. It is also literary satire and is considered one of the most famous mock-heroic verses in the English tradition. It is 218 lines of rhyming couplets in iambic pentameter. Like Dante’s Inferno, the poem has numerous references to Dryden’s contemporaries. Dryden not only criticizes Shadwell, but he also attacks Shadwell’s literary works and mentions that Shadwell himself by nature is exactly similar to the characters of his plays like Psyche, and has abilities like those of Sir Formal Trifle from The Virtuoso.

So this is it for today. We will continue to discuss the history of English literature. Please stay connected with the Discourse. Thanks and Regards.